Showing posts with label reviews. Show all posts
Showing posts with label reviews. Show all posts

Tuesday, April 19, 2011

New 'Welcome to the Rileys' DVD Review!


Review by Tired of Previews:

Question: Do you think the actors who have played two of the most well known TV and movie characters in the last 10 years (Tony Soprano and Bella Swan) can be seen as anything else? I say yes - Welcome to the Rileys proves that.

I saw a clip from Welcome to the Rileys when it was getting ready to debut. The clip didn't show much and I couldn't understand who these two characters were to each other. However, I rented it to see what the story was about. Now, you know I am not going to spoil it for you but rest assured the relationship portrayed in this film was different than most I have seen between an older man and young female - and worth watching.

Welcome to the Rileys takes a subject matter that many families have thrust upon them and shows the aftermath through a profound and realistic view point. Life is messy, cruel and can kick you in the stomach but many films like to make sure you leave satisfied in the end with everyone smiling and fixed. This film doesn't try to solve all the answers and it doesn't clean it all up either. How refreshing.

James Gandolfini plays a tender but broken man who is stuck in his marriage and life. He took on this role with an authenticity that I have never seen him try before. His portrayal brought tears to my eyes when his character decided to release the pause button from his dilemma. Kristen Stewart grabbed her portrayal with a vulnerability tied in with an inner strength only real survivors seem to possess. There is no resemblance to her past roles in this movie.

However, Melissa Leo, who was recognized at the Academy Awards for her outstanding performance in The Fighter this year, probably helped both the other actors reach the story's true potential. She, too, showed a real character and the process one goes through if they allow the tragedies of life to consume them.

This is not a fast-paced movie and it won't give you all the answers, but I thoroughly enjoyed the story. I recommend Welcome to the Rileys, even it is just to show everyone that iconic characters don't need to pigeonhole an actor.

My favorite thing: The giggle I had when I wasn't expecting any light-hearted parts in this movie.

My least favorite thing: Realizing the basis of the story is probably more prevalent than I would like to consider.

Did the previews show too much? I actually never saw a preview - just the same clip of the scene outside a laundromat.

Random thought: Jake Scott, the director of this film, is the son of Ridley Scott and the nephew of Tony Scott. He directed one of my favorite videos of all time: R.E.M.'s "Everybody Hurts."

Rating: R
Length: 110 minutes

Review: 7 out of 10

via wttr saturday, blogher

Tuesday, April 12, 2011

Book Review: 'Breaking Dawn' by Stephenie Meyer

Author Mandy Southgate, source blogcritics.org:



It is no secret that I have highly ambivalent feelings about the works of Stephenie Meyer. Perhaps it is because I was the independent and headstrong girl who got involved with a psychopathic control-freak and was nearly destroyed by his madness. More likely though, it is the extreme feelings that the books evoked in me and the levels of obsession they inspired. Quite simply, I could not have felt such anger and disappointment in the way Bella was written had I not been so emotionally invested in the books.

Indeed, my issues with the books and my waning reviews had nothing to do with the stories as such, but with the idea that millions of young girls around the world were looking up to a heroine hell-bent on destroying herself in order to be with the object of her affections. The level of manipulation, emotional blackmail and co-dependency among the characters in Stephenie Meyer’s book was astounding.

When I read Twilight, I could not put it down. It became known in our household as “that damned addictive book”. I gave Twilight a 5-star rating, which reduced to 4-stars with New Moon and 3-stars with Eclipse. Always quick to pick up on a pattern, I could see where this was going and did not want to put myself through the misery of another Stephenie Meyer book. Instead, I opted to read Cleolinda's hilarious summaries of Breaking Dawn and was thankful that I avoided Popsicle sex, scenes from Rosemary's Baby and the borderline-paedophile notions of grown men werewolves imprinting on new-born babies.

Still, everybody said I should read Breaking Dawn, the final novel in the Twilight Saga, and feeling desperately in need of some light fiction on my recent holiday, I finally borrowed a friend's copy.

I was not surprised at how readable and addictive the book was; after all, I had found all of Stephenie Meyer's books to be impossible to put down. Any concerns I had held about reading a 720-page book were also dispelled as I read late into the night and ploughed through the book in a couple of days.

What did surprise me is that I enjoyed every single page of Breaking Dawn and I was absolutely engrossed in the story. The parts that I had thought would be icky and, well, just plain wrong were actually handled really well. Well, except for the imprinting thing which still smacked of grooming to me. I certainly don't make a habit if reading up on the entire plot of a book before reading the book itself but in this case I had and yet there were still sufficient surprises and revelations to keep me interested.

As always, I enjoyed the parts about vampire history, the legend of the Volturis and the challenge that a vampire-human hybrid such as Renesmee might present. Hey, after a while, even the name Renesmee began to grate less on my nerves and felt less like a literary version of nails scratching down a chalk board.

Of course, there were the obligatory cringe-worthy moments in the book. Having a baby that grows at a rate of a couple of months per week and magically projects her thoughts might be every mother's dream but it felt extremely contrived and more than a little convenient.

The best parts, as always, were those involving the Volturi, my favourite characters in both the books and films (and possibly the only characters with an ounce of depth). While their existence and imminent arrival was prominent in the latter part of Breaking Dawn, it is a pity that they were mostly relegated to the battle at the end.

In Breaking Dawn, all of the loose ends are tied and the story is brought to a grand, if not highly convenient, conclusion. If you're one of the few Stephenie Meyer fans or readers that have not yet read the book, I would certainly recommend it. The book is not without faults, including the Mary Sue characterisation and too-perfect ending but it is light, fun and addictive and certainly worth the read. I'd give Breaking Dawn 3.5 stars.

Fans of the Twilight Saga might be interested in the gorgeous white cover paperback editions that were released in the UK and worldwide. Despite my ambivalence and mixed emotions, I am quite tempted to buy the set!

Friday, April 8, 2011

Old Movie review: Speak (2004)



Speak (2004) is an American independent movie directed by Jessica Sharzer, based on the New York Times bestseller and the Printz Honour winning novel of the same name by Laurie Halse Anderson. Although like most movies it deviates slightly from the book, it stays faithful to the original story. It stars Kristen Stewart in a breakout role as troubled teenager, Melinda Sordino, Steve Zahn as the free-thinking and understanding art teacher, Elizabeth Perkins and D.B.Sweeney as Melinda’s concerned, but overworked and busy parents. The film was screened at the Sundance Festival and was critically acclaimed. It is a moving story of a traumatized girl, battling her inner demons and finally breaking out of her cocoon.

Melinda Sordino is a happy and a normal fourteen year old, who is looking forward to a wonderful four years at high school with her best friends. However, her world falls apart when she gets raped at a house party she attends with her friends that summer. Traumatized, she calls the police but she’s unable to say anything to anyone. Since no one knows the truth about what happened, everyone, including her best friends, ostracize her and give her the tag of “squealer”. The teachers at Merryweather High School are also distant and unapproachable: from the terrifying Mr. Neck who constantly bullies Melinda, to the English teacher (who Melinda refers to as the Hair woman) who refuses to make eye contact with her students. Even her parents, though concerned about the sudden change in their daughter, are too busy to figure out what went wrong. Melinda goes through hell every single day because every time she tries to tell anyone, her tongue freezes up. Her only solace is in Art class which is taught by the friendly and rebellious Mr. Freeman. Mr. Freeman is the typical idealistic art teacher, who is more of a free spirit than a systematic teacher. He is the only one who gets through to Melinda. She immerses herself into her art, turning an abandoned closet into her studio and “escape room”. She slowly becomes accustomed to her death-like existence, expressing herself only through her art. However things take a turn for the worse when Melinda’s ex-best friend starts dating the boy who raped her. Thus, Melinda comes to a point where she has no other choice but to fight her fear and speak up. Slowly, the girl comes out of her shell and learns to accept what happened and move on, rather than try to pretend it never happened and suffer the mental trauma alone, every single day.

This movie is a small budget movie with a very big heart. Not an average teen movie, it handles the sensitive issue of rape in a very moving manner. It is not a story about a revolution; the heroine is not a fighter who champions the cause of battered women. Rather, it is a very true interpretation of what really happens to young people who are faced with a terrible situation, early in their lives. Victims of rape are often too scared and ashamed to talk to anyone about what really happened. As a result, all this pain gets trapped up inside and leads to depression. In Melinda’s case, depression led to her becoming mute. Narrated in first person, it is a story told by Melinda herself, who doesn’t say much but thinks a lot. Her blunt remarks and sarcastic comments are rife with dark humour. Even though, throughout the movie, silence speaks for itself, the screenplay is taut and the dialogue is crisp. The scene involving Mr. Neck’s “debate” class is especially engaging. It is an insight on how the education system still employs people with prejudices and how this does no good to growing minds. The film sheds light on the adolescent need to be accepted by their peers. This compulsive need leads people to become manipulative and gamble away years of friendship. This movie does a very good job in bringing forward important issues to the audience. At the same time, it is not preachy and pretentious.

Kristen Stewart, of course, is the reason why this movie is so powerful. Being only 14 when she was cast for this role, Kristen plays Melinda with stunning maturity. Her blank face and her soulless eyes reflect the pain she’s going through with gut wrenching accuracy. She does a wonderful job, using very few words to communicate, leaving it to her eyes and body language. Your heart leaps out to her every time she tries to open her mouth but closes it without saying anything. Kristen Stewart carries this movie on her shoulders and pulls it off with panache. Also worth a mention is Steve Zahn’s performance as the inspiring teacher Mr. Freeman. He successfully embodies the tortured artist who hates the school policies but recognizes and encourages talent in the youngsters. Steve Zahn carries off his role brilliantly, becoming the teacher we all wish we had. But his best moment is undoubtedly the scene when his eyes fill up with tears of wonder and admiration upon seeing Melinda’s drawings in the janitor’s closet. The rest of the cast provided excellent support: including Michael Angarano as the Dave Petrakis, Melinda’s smart and outspoken lab partner who later becomes her friend and Allison Siko as Heather, the quintessential “wannabe”, a self absorbed social climber.

Kudos to the director Jessica Sharzer who has done a stellar job in bringing out the best in the young actors and actresses. The direction along with the camera work is simply amazing. The director wonderfully conveys Melinda’s thoughts to the audience by the subtle use of metaphors, props and lighting. The very first scene when Melinda draws stitches across her mouth, the slow walk back home alone after the party and the hospital scene show amazing acting, direction and camera work. The scene where Melinda smells an apple and reminisces about her childhood is also very touching: a symbol of how a girl lost her innocence at an early age and would give anything to go back to the carefree happy days of childhood. Another amazing scene is the one when the janitor closes the shutter when Melinda’s thinking about the suffragettes, symbolically showing how she feels trapped. The close ups of Stewart’s face and eyes, reflecting the fear and the sense of defeat moves the audience. A special mention must also be given to the make up team in creating Melinda’s look: bleak with shadows around the eyes and chapped lips. The background score is very good, especially in the flashback scenes and towards the end where the rousing music tugs at your heart strings. The only flaw is the slight lull around the middle of the movie where it tends to meander a tiny bit.

Speak is a well produced and well acted, powerful and inspiring movie. A movie recommended for both parents and teenagers, it doesn’t tell you how you should live your life. It is merely the story of a girl, a child actually, who needs someone to get her through the worst time of her life but doesn’t know how to call for help. It is a story of finding one’s self and facing one’s fears as running away or denial is never the answer. It is a movie that, along with occasional moments of satire, inspires young people to stop bottling up their emotions: to face reality and to SPEAK OUT!
--Rashmi Rajshekhar

source theviewspaper.net via
KstewAngel

Thursday, March 31, 2011

Kristen 'Excels Beyond Description' in 'Welcome to the Rileys' - New Review


Here is a tiny little film that barely earned $320,000 in total box-office receipts world-wide and screened only in 11 movie theaters when it was released. It’s one of those films that was tossed straight into the home-video bin.

But my god… what quality, what super writing, directing, and acting are tucked away in this miniscule corner of the movie world! The quality of this adult drama is nothing less than astounding.

First off, let’s praise the world-class acting muscle brought in by James Gandolfini (Doug Riley) of the SOPRANOS fame. That TV-series has seared itself permanently into my brain cells and will live with me as long as I’m around. And the number one reason why I loved that show so much was Gandolfini. The number one reason why I was mesmerized with the RILEYS is again JG. Bless you, sir.

But Melissa Leo as Doug’s depressed wife Lois and Kristen Stewart as a teenage hooker also excel beyond description. Why I haven’t heard the names of these amazing actors before; I have no idea. But I’m sure we’ll hear about them frequently in the future, especially Stewart given the fact that she is still so young and in the early years of her career. May it be a long one. I think she’ll fill in the shoes of Marcia Gay Harden nicely. Stewart is another Natalie Portman or Michelle Williams in the making.

(WARNING: some plot points revealed ahead…)

The story: Doug is a plumbing materials wholesaler in Indianapolis living in a middle-class neighborhood with his wife Lois. Despite the appearances, both are depressed deep down since they’ve lost their 15-year old only daughter in a traffic accident years earlier.

Doug, perhaps also squeezed by a typical middle-age crisis, starts to look around for a diversion, for a way to forget his pain. His wife Lois is house-ridden and clinically depressed 24-7. Thus it does not take long for Doug to get off track during an industry convention down in New Orleans.

Enter Mallory, the Big Easy teenage pole-dancer and prostitute who is just about the same age as Rileys’ deceased daughter. There’s obviously a father-daughter attraction there on Doug’s part while Mallory tries to treat Doug as yet another John off the street. Yet when Doug declares his decision to move in with Mallory while refusing any sex for payment, we are as puzzled as both Mallory and Lois are with Doug’s true intentions.

At times I thought the RILEYS might deteriorate into the overworked formula of MY FAIR LADY (even PRETTY WOMAN): will Doug try to make a lady out of Mallory? Yes and no, but Mallory is no “lady” for sure. She is not even a “woman” yet. She is a foul-mouthed wild beast.

The story takes a sharp turn at this point with Lois’s decision to pack up her suitcase, get into the family Cadillac, and after a few nervous mishaps, hit the road to… New Orleans! Lois has her epiphany and will not leave Doug on his own down in the netherworld of New Orleans.

Act Three of this fascinating story gets layered with all three major characters interacting with each other to redeem themselves and to find salvation in ways that befit them.

The ending is both logical and delicate. Writer Ken Hixon and director Jake Scott (nephew of the great Tony Scott) really love their characters and they treat them with respect, patience, and dignity even when they are down in the pits, smeared with the ugliness of the world.

The RILEYS leaves us emotionally exhausted but yet also strangely charged up for the possibilities ahead. Hope is beating like a drum in the inner chambers of this film.

R-rated and too hard for the kids. But if you’d like to spend meaningful two hours in front of your TV set curled up with your spouse or significant other, RILEYS is not a bad choice at all. As a matter of fact, until you see it, it should be the only choice.

source culturefeast via robstendreams

Thursday, March 3, 2011

New 'Welcome to the Rileys' Review: A good cast goes a long way

James Gandolfini, Melissa Leo and Kristen Stewart give standout performances in the otherwise mediocre Welcome to the Rileys

BY: AMANDA STEFANIUK at uptownmag

3 stars
Welcome to the Rileys
Sony/Columbia
Available now

A talented cast can make a good script great and an awful one bearable. In the case of this Sundance Festival darling, stars James Gandolfini, Melissa Leo, and Kristen Stewart — the Twilight ingénue proves she can emote when she wants to — make a mediocre story of damaged souls interesting.

Gandolfini and Leo play Doug and Lois Riley, a married couple who are still struggling to cope with the death of their teenage daughter eight years later. Lois has confined herself to the house; she’s so emotionally broken she makes her hairdresser come to her. No longer able to connect with his wife, Doug starts up an affair with a waitress (Eisa Davis) — but when she unexpectedly dies of a heart attack, he’s suddenly anchorless. During a business trip to New Orleans he finds new hope in a 16-year-old stripper/prostitute (Stewart) who reminds him of his lost daughter. Doug moves in with her as a way to protect her, and soon Lois’ agoraphobia is lifted when she, too, moves to Louisiana to complete their new makeshift family.

Gandolfini continues to take challenging roles that are miles removed from Tony Soprano, and Leo continues her career resurgence which began with Frozen River. Stewart’s usual fan base may be shocked by her gritty role, but she does a commendable job of portraying the teen struggling to deal with the Rileys’ sudden affection.

New 'Welcome to the Rileys' Review: A good cast goes a long way

James Gandolfini, Melissa Leo and Kristen Stewart give standout performances in the otherwise mediocre Welcome to the Rileys

BY: AMANDA STEFANIUK at uptownmag

3 stars
Welcome to the Rileys
Sony/Columbia
Available now

A talented cast can make a good script great and an awful one bearable. In the case of this Sundance Festival darling, stars James Gandolfini, Melissa Leo, and Kristen Stewart — the Twilight ingénue proves she can emote when she wants to — make a mediocre story of damaged souls interesting.

Gandolfini and Leo play Doug and Lois Riley, a married couple who are still struggling to cope with the death of their teenage daughter eight years later. Lois has confined herself to the house; she’s so emotionally broken she makes her hairdresser come to her. No longer able to connect with his wife, Doug starts up an affair with a waitress (Eisa Davis) — but when she unexpectedly dies of a heart attack, he’s suddenly anchorless. During a business trip to New Orleans he finds new hope in a 16-year-old stripper/prostitute (Stewart) who reminds him of his lost daughter. Doug moves in with her as a way to protect her, and soon Lois’ agoraphobia is lifted when she, too, moves to Louisiana to complete their new makeshift family.

Gandolfini continues to take challenging roles that are miles removed from Tony Soprano, and Leo continues her career resurgence which began with Frozen River. Stewart’s usual fan base may be shocked by her gritty role, but she does a commendable job of portraying the teen struggling to deal with the Rileys’ sudden affection.